TEXTS

 

“The Missing One at OCA: Sci Fi Art from Bangladesh, India, Pakistan and Sri Lanka.” Elementa, December 21, 2016 > LINK

Joung, Nora. “The Possibility of Coexistence.” Kunstkritikk, October 26, 2016 > LINK

“Finding The Missing One with Nada Raza, Assistant Curator at Tate Modern.” CoBo > LINK

Dadi, Iftikhar. “Efflorescence.” In Border Cultures. Edited by Srimoyee Mitra. London: Black Dog, 2016 > LINK

Bailey, Stephanie. “House of Love: A Report from Art Dubai.” OCULA, April 5, 2016 > LINK

Pheby, Helen. “Dhaka Art Summit.” Yorkshire Sculpture Park | YSP Blog, February 16, 2016 > LINK

“Contextualising Contemporary South Asian Art: Diana Campbell Betancourt on Dhaka Art Summit 2016.” Art Radar, January 30, 2016 > LINK

Dastgir, Nasr. “Uncover the Missing Ones.” Dhaka Tribune, January 16, 2016 > LINK

Pillai, Pooja. “Identities Repackaged.” The Indian Express, January 7, 2016 > LINK

Modi, Chintan Girish. “Of Heroes, Nations and Identities.” The Hindu, January 1, 2016 > LINK

“‘Epic Ecologies’: Pakistani-American Artist Duo Iftikhar and Elizabeth Dadi in Mumbai | Art Radar.” Art Radar, December 18, 2015 > LINK

“Jhaveri Contemporary — Iftikhar Dadi and Elizabeth Dadi.” > LINK

Banerjee, Jasodhara. “Art sans Frontières.” Forbes India Magazine, September 1, 2015 > LINK

“Flower Power: Efflorescence at the John Hartell Gallery.” The Sun.

Cultural Anthropophagy: The 24th Bienal de São Paulo 1998. London: Afterall Books, 2015 > LINK

Dadi, Iftikhar. “Significance of the Art Residency.” In Vasl Artists’ Collective, 2007-2014. (Karachi: Vasl Artists Collective, 2015)

“Iftikhar Dadi and Elizabeth Dadi: Efflorescence." Cornell AAP.” > LINK

“In Conversation with Iftikhar Dadi: Interview with Aziz Sohail.” Artnow: Contemporary Art of Pakistan, February 2015 > LINK

Nasar, Hammad. “Karachi Pop: Vernacular Visualities in 1990s Karachi.” Guggenheim Blogs, February 11, 2013 > LINK

Shaw, Ted. “Exhibits Look at Life on the Border.” Windsor Star, January 24, 2013 > LINK

Asia Pacific Triennial: Reflections on the First Decade,” CONTEMPORARY VISUAL ART+CULTURE Broadsheet magazine 41, No. 4 (2012)

Dadi, Iftikhar. “Curating South Asia.” Guggenheim Blogs, October 1, 2012 > LINK

Dadi, Iftikhar. “Partition and Contemporary Art,” in Lines of Control: Partition as a Productive Space. Edited by Iftikhar Dadi and Hammad Nasar (Ithaca: Herbert F Johnson Museum of Art, 2012)

"Iftikhar Dadi and Elizabeth Dadi.” Take on Art 1, No. 4 (Jan 2011) > LINK

Art India, 15, No. 3 (2010): 45-46

Granta Magazine, No. 112 (Autumn 2010): 148-149

Nasar, Hammad. “From ‘Spirit Pulling’ to ‘Thinking Photography.’” In Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh. London: Whitechapel Gallery, 2010 > LINK

Nasar, Hammad. “Pakistan: An Art of Extremes.” Orientations 40, no. 1 (February 2009): 48–58 > LINK

Muhammad Yusuf, “Drawing Lines,” Time Out: The Gulf Today, Jan 29, 2009.

Haroon, Layla. “Form and Colour of Divided Destinies | GulfNews.com.” Gulf News, January 22, 2009 > LINK

Sophia Money-Coutts, “Aligning the debate,” The National (UAE). January 19, 2009

Charles Reeve, “Clashes of Civilization,” ARTLIES: The Texas Contemporary Art Journal, No. 45 (Fall 2005) > LINK

Cotter, Holland. “Taking a Magical Flight Through Modern India.” The New York Times, March 4, 2005 > LINK

Lloyd, Ann Wilson. “Rambling Round a World That’s Gone Biennialistic.” The New York Times, March 3, 2002 > LINK

Cotter, Holland. “Iftikhar and Elizabeth Dadi.” The New York Times, Apr 27, 2001 > LINK

Apinan Poshyananda, “Positioning Contemporary Asian Art,” Art Journal 59, No. 1 (Summer 2000)

Chambers, Eddie. Review of “Tampered Surface,” Art Monthly, No. 190 (Oct 1995)